{"id":19354,"date":"2025-12-15T15:17:54","date_gmt":"2025-12-15T14:17:54","guid":{"rendered":"https:\/\/www.ert.tn\/pmf\/?p=19354"},"modified":"2025-12-15T15:17:57","modified_gmt":"2025-12-15T14:17:57","slug":"les-petits-cahiers-du-cinema-1er-numero","status":"publish","type":"post","link":"https:\/\/www.ert.tn\/pmf\/2025\/12\/15\/les-petits-cahiers-du-cinema-1er-numero\/","title":{"rendered":"Les Petits Cahiers du Cin\u00e9ma \u2013 1er num\u00e9ro"},"content":{"rendered":"\n<p>Les \u00e9l\u00e8ves de la classe de 2.04 pr\u00e9sentent le premier num\u00e9ro de leur revue cin\u00e9ma, <strong>Les Petits Cahiers du Cin\u00e9ma<\/strong>. Cette proposition artistique et culturelle met en lumi\u00e8re le pouvoir des images et du cin\u00e9ma comme outils de r\u00e9flexion, d\u2019analyse et de cr\u00e9ation.<\/p>\n\n\n\n<p>\u00c0 travers la d\u00e9couverte de films majeurs, tous s\u00e9lectionn\u00e9s aux diff\u00e9rentes \u00e9ditions du <strong>Festival de Cannes<\/strong>, les \u00e9l\u00e8ves s&rsquo;initient cette ann\u00e9e \u00e0 l&rsquo;\u00e9criture de la critique et \u00e0 la compr\u00e9hension de la mise en sc\u00e8ne.<\/p>\n\n\n\n<p>Ce premier num\u00e9ro t\u00e9moigne de leur engagement, de leur sensibilit\u00e9 artistique et de leur regard critique sur le cin\u00e9ma contemporain.<\/p>\n\n\n\n<div style=\"text-align:center;\"><div style=\"margin:8px 0px 4px;\"><a href=\"https:\/\/www.calameo.com\/books\/0081107392342158d042e\" target=\"_blank\">LES PETITS CAHIERS DU CINEMA PMF  2.04  2025.2026<\/a><\/div><iframe loading=\"lazy\" src=\"\/\/v.calameo.com\/?bkcode=0081107392342158d042e&#038;mode=mini\" width=\"480\" height=\"300\" frameborder=\"0\" scrolling=\"no\" allowtransparency allowfullscreen style=\"margin:0 auto;\"><\/iframe><div style=\"margin:4px 0px 8px;\"><a href=\"http:\/\/www.calameo.com\/\" target=\"_blank\">Lire plus de publications sur Calam\u00e9o<\/a><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les &eacute;l&egrave;ves de la classe de 2.04 pr&eacute;sentent le premier num&eacute;ro de leur revue cin&eacute;ma, Les Petits Cahiers du Cin&eacute;ma.<\/p>\n","protected":false},"author":2,"featured_media":19355,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[195],"tags":[],"class_list":["post-19354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites-de-pmf"],"_links":{"self":[{"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/posts\/19354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/comments?post=19354"}],"version-history":[{"count":1,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/posts\/19354\/revisions"}],"predecessor-version":[{"id":19356,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/posts\/19354\/revisions\/19356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/media\/19355"}],"wp:attachment":[{"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/media?parent=19354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/categories?post=19354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/tags?post=19354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}