{"id":19470,"date":"2026-02-12T11:10:54","date_gmt":"2026-02-12T10:10:54","guid":{"rendered":"https:\/\/www.ert.tn\/pmf\/?p=19470"},"modified":"2026-02-12T11:10:54","modified_gmt":"2026-02-12T10:10:54","slug":"les-petits-cahiers-du-cinema-3eme-numero","status":"publish","type":"post","link":"https:\/\/www.ert.tn\/pmf\/2026\/02\/12\/les-petits-cahiers-du-cinema-3eme-numero\/","title":{"rendered":"Les Petits Cahiers du Cin\u00e9ma \u2013 3\u00e8me num\u00e9ro"},"content":{"rendered":"\n<p>Le 3\u00e8me num\u00e9ro de la revue\u00a0<em><strong>LES PETITS CAHIERS DU CIN\u00c9MA<\/strong>\u00a0<\/em>r\u00e9alis\u00e9 par les \u00e9l\u00e8ves de la 2.04 est consacr\u00e9 au long-m\u00e9trage WOMAN AND CHILD.<\/p>\n\n\n\n<p>En comp\u00e9tition au\u00a0<strong>Festival de Cannes 2025<\/strong>, le film de Saeed ROUSTAEE vient compl\u00e9ter ce focus sur le cin\u00e9ma iranien et sur des cin\u00e9astes engag\u00e9s. Apr\u00e8s avoir assist\u00e9 \u00e0 la projection du film lors du\u00a0<strong>Festival des JCC 2025 \u00e0 Tunis<\/strong>, les \u00e9l\u00e8ves ont ainsi pu ainsi exercer un regard critique sur ce long m\u00e9trage qui offre un portrait de femme poignant dans une soci\u00e9t\u00e9 largement patriarcale.<\/p>\n\n\n\n<div style=\"text-align:center;\"><div style=\"margin:8px 0px 4px;\"><a href=\"https:\/\/www.calameo.com\/books\/0081107393ba5f706dff8\" target=\"_blank\">2.04 PMF  N\u00b03 Petits Cahiers Du Cin\u00e9ma<\/a><\/div><iframe loading=\"lazy\" src=\"\/\/v.calameo.com\/?bkcode=0081107393ba5f706dff8\" width=\"300\" height=\"194\" frameborder=\"0\" scrolling=\"no\" allowtransparency allowfullscreen style=\"margin:0 auto;\"><\/iframe><div style=\"margin:4px 0px 8px;\"><a href=\"http:\/\/www.calameo.com\/\">Publish at Calameo<\/a><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le 3&egrave;me num&eacute;ro de la revue&nbsp;LES PETITS CAHIERS DU CIN&Eacute;MA&nbsp;r&eacute;alis&eacute; par les &eacute;l&egrave;ves de la 2.04 est consacr&eacute; au long-m&eacute;trage<\/p>\n","protected":false},"author":2,"featured_media":19471,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[195],"tags":[],"class_list":["post-19470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites-de-pmf"],"_links":{"self":[{"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/posts\/19470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/comments?post=19470"}],"version-history":[{"count":1,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/posts\/19470\/revisions"}],"predecessor-version":[{"id":19472,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/posts\/19470\/revisions\/19472"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/media\/19471"}],"wp:attachment":[{"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/media?parent=19470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/categories?post=19470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ert.tn\/pmf\/wp-json\/wp\/v2\/tags?post=19470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}